Why did we travel to Siberia for 20 years? Why did we make this film? How did we see Siberia? People who were deported as children in 1949 and 1941 searched for the places where their loved ones were buried. After 2014, we were watched more closely, we were not allowed into museums, we were followed, and the people we had met were interrogated. When we found graves, we were not allowed to take out our cameras and film. And yet... we would never have believed that Russia would attack Ukraine, threaten the Baltic states and the Western world.

At the end of the Second World War, when the German army retreated from Latvia, it also took along 700 boxes of materials from Latvian museums. If not for a young woman named Mērija Grīnberga, the exhibition halls of many museums in Latvia would be empty today. Grīnberga was the only volunteer who in 1944 went along with the train carrying the treasures of Latvian art in order to return with them back to Riga. The German occupying forces tried to take them away; the Soviet occupation forces brought them back; Mērija completed her duty. As gratitude for her journey, Mērija was sacked from her job at the museum and incessantly viewed with suspicion.

暂无英文版的简介，请添加内容帮助我们完善数据库。

暂无英文版的简介，请添加内容帮助我们完善数据库。

暂无剧情简介

暂无英文版的简介，请添加内容帮助我们完善数据库。

暂无剧情简介

Amadeus Macků, the village postman, is an incorrigible dreamer obsessed with the desire to fly. He invents and builds his own hovercrafts, making himself a thorn in the side of his hillbilly neighbours. The group of pub chatterers are particularly annoyed by the wooden runway that the stubborn postman builds for his next experiment. But the guileless weirdo catches the eye of the local doctor, who has an acquaintance with a slick doctor from the big city...